Allipoove Mallipoove Song
This is atypical of Raja whose melodies do not have drumming in prominence. Rajagopal Distributed by Kalasangham Films Release date. Few composers care for such handling of a new genre. Even in this track, the western rhythm is played with the synthpad! In summary, Raja chooses his rhythm arrangement very carefully.
These days, he also works off an audio workstation. This is one of the busiest interlude I heave heard from Raja in recent times.
This set to a nice poly rhythm more on this subject later of the tabla and the synth drums. One day, Benny comes to know that Daisy has won a lottery for two crore rupees.
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Raja the genius December
After initial resistance, Roshan's mother agrees to the couple getting married. He tries to woo Daisy back since she is now a rich woman. This is a simple tune that is beautifully carved using the bass guitar, which is staple Raja instrument.
The end product will sound very harsh if you do not take care of it. Dheemi Dheemi is indeed a fantastic Techno melody.
The guitar is pushed to a support role and the synthesizer is given the driver role. This track is an example of where Raja uses synth rhythms on a melody basis. This track is mentioned here to show that when required, he brings in the tabla into the mix. Dheemi, Dheemi from Shiva is another super melody.
The basic karaoke is now ready. The entire charanams are a nice mixed rhythm of tabla and synth drums.
The interludes give more importance to the ethnic synth drums more than ever before. The film was mainly shot around Kuttanad region in Kerala. They return home to find everyone readying for the wedding. As usual the bass lines are nicely aiding the melody.
Any loops for short synth pieces are also included at this stage. All old basics are in place. He shines in his new armor. Few generations will be lucky to receive such musical tender love and care. The lyrics were written by Vayalar Sarathchandra Varma.
Meanwhile, he informs Daisy that until the dowry is received, their relationship would remain unconsummated. This requires not only a good technical sense, but also strong musical sense. However, he throws in a modern layer on top of his traditional composition driving home a clear message.
This song has the vintage Raja melody driving it. Notice that the charanams use drumming the conventional way uses the hi-hat. Ishtakkari is one song that i somehow could not get to like, despite repeated listenings. Three months pass but Daisy's father is unable to give Benny the entire dowry.
All songs of Prem Kahani were superb as well. Oru Porkaalam from Kasthurimaan uses synthetic drums very nicely in this melody. He uses tabla, shehnai and chorus very selectively.
Finally, Benny's friend Kunjabdulla Mamukkoya finds him. However, she asks for a dowry of ten lakh rupees. So as you say, Raja chooses the technology which enhances and illuminates his philosophy. You will never hear such a track from Raja.
He is deeply repentant and asks Daisy for forgiveness. The female voice is of course new. Also, the flute played at the end of the pallavi in my view is a synthesized flute. Some exceptions were still there. Benny is angered, and he drops Daisy at her home.
This is one of my favorite techno work of Raja. Naan Pirandha Nerama from Kannukkulle Tamil is a pathos tune that has a rhythm arrangement that is very atypical of Raja. This angers Benny but he decides to be patient and wait a few months before taking any further step. Raja, recently said in an interview that he is willing to consider any good intrument players. Kooda Varuviya from Vaalmiki Tamil is a contender for the top hit of for Raja.
He is conscious about complimenting his baroque and melody strengths. Benny tries hard to arrange for the sum but he is unsuccessful. He realizes how generous Daisy was, in spite of the shabby way he treated her and her family. He will not use the Techno techniques in its native form. He throws in scat singing into the mix.
The last few lines of the charanam guiding Bela with the bass guitar is vintage Raja. The entire track has a nice synth drum pattern that only beautifies the track further. The melody is nicely guided by the bass lines. Shiva was in and some of the tracks definitely qualify to be in the Techno Baroque posts. His friend Nedumudi Venu gives him the idea of getting married so he can use the dowry to fulfill his dreams.
But i am usually not inclined to hear a synth sitar in ilaiyaraaja song. The output was amazing and I would also quote all the songs you have quoted here as outstanding ones. The guitar and bass, flute play in this song is a fantastic reminder of the old Raja. This time, it does not fade, how to gta san andreas for pc for but plays a complimentary melody software driven I suppose.
Also, Raja uses extensively real violins, flutes as the theme requires it. The first interlude is set to the synthesized violins, trumpet and with the synthpad for the rhythm. Bhagyadevatha's songs and background score are composed by Ilaiyaraaja. He seems to have nicely used the ethnic version patch of the synthpad which fits the melody so well.
However, she spurns all his attempts. Integration of such work touches on every point listed here.
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