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Ironically, our artistes except in a few cases, seem to indulge in musical gymnastics and gimmickry in an attempt to dazzle the audiences there. This is irrespective of their educational qualifications. The great tradition of Hindustani music may die, unless proper steps are taken to impart its training systematically. She wanted to become the primary representative of that gharana and this was still a distant goal.

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But anyway, the second seems, because of its length, the more satisfying. And as long as there are wise people in this world, a person sincere about his business need not worry. It is his progressive outlook, conditioned by an awareness of the tastes and preferences of his audiences.

Yet he established immediate rapport with his listeners by the very opening swara of his chosen raga. My company even agreed to pay him a monthly remuneration of Rs.

It is during his brief sojourns that I could get many glimpses of his personality as an artiste as well as a human being. The reclusive Mallikarjun Mansur rarely talks to the press.

These humble devotees of music crowned the musical edifice erected by previous generations and lent an estimable character to Goan musical tradition. Not for nothing has a multinational recording company managed to coax the maestro to cut a series of long play discs barely a few weeks ago!

Bashir Khan began to teach her. At times, she would even drink water to quell her hunger rather than interrupt her endeavour. For me the proof that really great artists and especially their archival recordings are not that appreciated even by visistors of our blog. Their lives were also intensely inspiring. In yet another jalsa, Mogubai shared the platform with other disciples of Khansaheb.

If these are the two sides of one cassette merged into one track I also don't know. Khansaheb gave his assent and Mogubai began to receive systematic training from Hyder Khan. Jayshreebai had been sucked into a maelstrom. Soon differences cropped up between the owners, and the company folded. She hardly believed her eyes when she saw that it was Khansaheb Alladiya Khan in person teaching her the palta.

Only in very rare cases, and that too, in response to pressing request, does he end his recitals with a Kannada devotional or two. This was reflected in his repertoire, which included a judicious mixture of light and popular songs, like Marathi bhavgeets, natyageets and bhaktigeets. See how film songs based on classical music enjoy continued popularity! Someone suggested she approach the songsters that toured with drama companies. He also heard me on the stage and, in response to my request, p.susila old tamil songs he readily took me as his disciple.

Also, she met Khansaheb and requested him to resume his tutelage. Her training had been interrupted. He was on the dais, ready to sing, and she observed how some very eminent people bowed to him in respect.

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This interruption at the outset of her musical education was to haunt Mogubai all her life. However, it was Mogubai who was deprived of all support by this incident. He was planning his annual soiree early that year.

She had vowed, as it were, to make her daughter a singer worthy of standing alongside the greats. Public concerts were not so much in vogue then as they are today. The impact of his music made such a deep impression on my mind that I began cherishing the ambition of learning from the ustad. To Mogubai, his overall personality suggested only that he was probably a famous singer.

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The two systems have grown and prospered in peaceful co-existence for centuries. It was as though his musical thought was in tune with some high ideal of beauty and he was striving to communicate to us with the fire and fervour of an impassioned utterance. Tara Tara Tara Tara Ontara.

My mind was distraught and I came to Bombay in search of a comparable guru after leaving my studentship with Alurmathbuva and also the dramatic company. With this our series of posts of recordings by one of the most outstanding artists of recording history is completed. It is sad that music students are required to have formal educational qualifications. If anything, it is rather the other way round.

Balancing the cares of tomorrow on one hand and her tanpura in the other, Mogubai battled on a Yogic scale. He is the last titan still amazingly active on the Hindustani concert stage. The anguish Mogubai experienced in her pursuit of music made her unique. My stay here is of limited duration. Whereas Mogubai Kurdikar was very famous in her time, of Sardarbai Karadgekar one hardly knows anything.

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Film music has had no influence on classical music. With a seven year old Mogu in tow she walked the distance from Kurdi to Zambavli.

Now it is only a matter of adding to your store of knowledge. To my surprise and admiration. Balkrishnabuwa Ichalkaranjikar. She spent several days worrying.

He immediately had Mogubai join the company. You will be interested to know that I have made a departure at the Institute of Fine Arts of Karnataka University in this respect. As in the previous one, each track is an amazing jewel.

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